4.29.2010

MANGA


I haven’t read manga since, what, middle school, or maybe junior high--whichever it is, it's been a while. The last thing I was really into--and I mean REALLY INTO--was Dragon Ball and Dragon Ball Z. You see, I had a wonderful friend by the name of Yuta Ito, who, besides being Japanese, had a grandmother (who still lived in the homeland) that would send him and all three of his friends—Cody, Matthew, and myself—legit straight from the Tokyo-shelves Dragon Ball manga. We had never seen anything like it before in our lives, and it corrupted our imagination to an ubelieveable amount. But in a very good way.

Aliens with golden hair, fireballs that destroyed planets, bad guys who had three different forms before you killed them, and half-naked women with blue hair! We salivated over the epic battles, each one better than the last.

We were OBSESSED. So much so, that we would--I swear--shoot fireballs at each other in the school playground while screaming Japanese obscenities (that Yuta was kind enough to teach us) at each other. While other kids were playing weaksauce football or tetherball, we were defending the universe one KAMEHAMEHA at a time.

But, when Yuta moved back to Japan in the 7th grade, my obsession slowly began to ebb away. I would still try and draw all four Super Saiyans—Goku, Gohahn, Trunks, Vegeta—on pieces of paper, watch old, shittly recorded actual Japanese episodes of the syndicated show, still daydream about being a Saiyan myself...In all truthfulness, the magic had gone away with my friend. And that, as they say, was that.

It suprised the hell out of me, then, when on Tuesday I picked up Pluto at my local comic book store, and thoroughly enjoyed it. My first manga in over 15 years...


It made me realize that I miss shooting fireballs.


Phonogram:Singles Club Review

4.23.2010

The Man


From the SILVER Character Bible given to Anthony:

The Man: Here’s our guy. He looks like Mads Mikkelsen – the villain from “Casino Royal” (if you need some reference links, let me know). He has a thin scar across the bridge of his nose. We like him, but he doesn’t like people, if you catch my drift. In the Orb, no-one trusts anyone, really, but him more so.

4.16.2010

Moebius's Panzer Dragoon Cover Art

I'm becoming ever so slightly obsessed with MOEBIUS. I see his work in Frank Quitely, Paul Pope, Rafael Grampa, Geof Darrow...

...

...

It's everywhere, isn't it?

4.15.2010

Page 3 Layout

Look at the last panel--a "fish eye" view, is, in my terms, a shot as though you're looking through a peep hole. Besides being a novel, adventurous perspective (at least for me in regards to my writing career), it actually serves a purpose to this story, and gives the reader a bit of a hint as to where the inhabitants are living.

Art layouts courtesy of one Anthony Peruzzo.

4.09.2010

Fabrício De Souza Bohrer


Mr. Bohrer's layouts for Page 1 of THE SOURCE. Just look at panels 3 and 4. This is going to be unbelieveably fun.

4.07.2010

"Twine"

Beautiful, tight illo by Paul Pope, depicting a scence from the Minotaur & Labyrinth myth.

Good Morning, Comics, I love you.

4.05.2010

Insanity Keeps the Lotion on the Skin

Currently, I've got, oh, about 6 comics at various stages in development. This seems to be THE MAGIC NUMBER, as I think 7 may be too ambitious at the moment. Anyways, here's a nice little update on each one of the projects:

Pictured above is a panel of my children's graphic novel, ROOPSTER ROUX; art courtesy of Erik Thompson, who's doing all the art chores. To be released in 2010 at 144 pages of Awesome.

Before that, I've got a re-release of the Stephenie Meyer one-shot, but it's retitled TWILIGHT: UNBOUND which I suspect will get more mileage when it's released during the same week as the movie Eclipse. It has an additional 5 pages and will be available in a foil-cover edition.

THE SOURCE is a one-shot I'm working on with Isis Aquarius, a true member of The Source Family, and one of the 14 wives of Father Yod. Release date is up in the air, but I should be getting page layouts sometime this month--so we'll say anywhere from 4 to 5 months from now. It's my first go at co-writing a comic, and it's been a delight listening to Isis' colorful stories.

I got lettered pages of THE SWORDSMITH from Jorge last week, so this means we should be rearing to do whatever we're going to be doing with it relatively soon--and by "relatively soon", I mean this month.

SILVER is coming along at a nice, steady pace. The layouts and character sketches Anthony's providing are beyong my expectations--he seems to get the overall gist of the theme, the mood, and the idea behind it all...which is incredibly important.

Finally, I've got one story on the wings, that, unlike the above, has no publisher or artist attached. I'm calling it a "neo-western" in the vein of No Country for Old Men; and once THE SWORDSMITH is submitted, I'll be focusing much of my attention towards its development.